Date(s): December 18th, 2025, December 19th, 2025, December 20th, 2025, and December 21st, 2025

Showtime: 1pm and 6pm

This beloved holiday ballet returns to Raven’s Cry Theatre Dec 18-21, 2025 with 1pm and 6pm showtimes. Danced by talented students of Waldorf Ballet

Date(s): December 22nd, 2025

Showtime: 2pm and 7pm

Tickets on sale now! This holiday season the magic begins on the big screen! André Rieu is back in Maastricht with a brand new show! Together with his 60-piece Johann Strauss Orchestra, many soloist and special guests André Rieu will give you what you’ve come to expect from his performances: the maestro conducting his 60-piece Johann Strauss Orchestra and playing his world-famous Stradivarius violin to create a colourful concert full of surprises – it’s the ultimate Christmas cinema event! The repertoire ranges from romantic, emotional ballads to the most gorgeous and celebrated waltzes. Experience the magic of André Rieu at a festive and memorable evening and come see why André Rieu is one of the most popular live acts in the world! Broadcast onto the big screen and enjoyed with cinematic sound!

Date(s): January 10th, 2026

Showtime: 10:00AM

For gorgeous melody, spellbinding coloratura, and virtuoso vocal fireworks, I Puritani has few equals. On New Year’s Eve, the curtain goes up on the first new Met production of Bellini’s final masterpiece in nearly 50 years—a striking staging by Charles Edwards, who makes his company directorial debut after many successes as a set designer. The Met has assembled a world-beating quartet of stars, conducted by Marco Armiliato, for the demanding principal roles. Soprano Lisette Oropesa and tenor Lawrence Brownlee are Elvira and Arturo, brought together by love and torn apart by the political rifts of the English Civil War, with baritone Artur Ruciński as Riccardo, betrothed to Elvira against her will, and bass-baritone Christian Van Horn as Elvira’s sympathetic uncle, Giorgio.

Running 3h 20m.

Date(s): March 21st, 2026

Showtime: 9:00AM

After years of anticipation, a truly unmissable event arrives as the electrifying Lise Davidsen tackles one of the ultimate roles for dramatic soprano: the Irish princess Isolde in Wagner’s transcendent meditation on love and death. Heroic tenor Michael Spyres stars opposite Davidsen as the love-drunk Tristan. The momentous occasion also marks the advent of a new, Met-debut staging by Yuval Sharon—hailed by The New York Times as “the most visionary opera director of his generation” and the first American to direct an opera at the famed Wagner festival in Bayreuth—as well as Music Director Yannick Nézet-Séguin’s first time leading Tristan und Isolde at the Met. Mezzo-soprano Ekaterina Gubanova reprises her signature portrayal of Brangäne, alongside bass-baritone Tomasz Konieczny, who sings Kurwenal after celebrated Met appearances in Wagner’s Der Fliegende Holländer and Ring cycle. Bass-baritone Ryan Speedo Green makes an important role debut as King Marke.

Running 4h 50m.

Date(s): May 2nd, 2026

Showtime: 10:00AM

Following her acclaimed 2024 company debut in Puccini’s Madama Butterfly, soprano Asmik Grigorian returns to the Met as Tatiana, the lovestruck young heroine in this ardent operatic adaptation of Pushkin. Baritone Igor Golovatenko reprises his portrayal of the urbane Onegin, who realizes his affection for her all too late. The Met’s evocative production, directed by Tony Award–winner Deborah Warner, “offers a beautifully detailed reading of … Tchaikovsky’s lyrical romance” (The Telegraph).

Running 3h 45m.

Date(s): May 30th, 2026

Showtime: 10:00AM

American composer Gabriela Lena Frank makes her Met debut with her first opera, a magical-realist portrait of Mexico’s painterly power couple Frida Kahlo and Diego Rivera, with libretto by Pulitzer Prize–winning playwright Nilo Cruz. Fashioned as a reversal of the Orpheus and Euridice myth, the story depicts Frida, sung by leading mezzo-soprano Isabel Leonard, leaving the underworld on the Day of the Dead and reuniting with Diego, portrayed by baritone Carlos Álvarez. The famously feuding pair briefly relive their tumultuous love, embracing both the passion and the pain before bidding the land of the living a final farewell. Yannick Nézet-Séguin conducts the Met premiere of Frank’s opera, a “confident, richly imagined score” (The New Yorker) that “bursts with color and fresh individuality” (Los Angeles Times). The vibrant new production, taking enthusiastic inspiration from Frida and Diego’s paintings, is directed and choreographed by Deborah Colker, following her remarkable 2024 debut staging of Ainadamar.

Running 2h 25m.